The Third Man

No happy endings.

Winning a dispute with writer Graham Greene, director Carol Reed opted for a beautiful bummer of a fade-out, rather than an out-of-place romantic win, perfectly capping a great feel-bad film.

This is a movie of smothering shadows, haunting music, dark betrayals and desperate men doing devious deeds — while being perfectly-lit as they skulk through dank sewers.

Orson Welles, the biggest name in the cast, is a black market profiteer, stealing penicillin, then diluting it before resale, resulting in injury and death.

But then again, “The dead are happier dead.”

A perfect sentiment for Film Noir Land.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s